How does making our own image change how we see ourselves?
There are several things that happen when a woman begins to create her own images. First, remember that almost all of us created when we were little children. Crayon and paper were not just given to those who showed a propensity for creativity, they were given to all children. So, at some core level, there is an understanding deep in the culture of our people that little people should experience drawing, which we do long before written language. Drawing is our first language beyond sight and sound that we make ourselves that is not really in response to anything external – we are not drawing a house out there, rather we are making scribbles on a paper, however incomprehensible in the beginning – it is our own language.
I have worked with children and asked their parents to let me do their first drawing class when it was time for them to move beyond the marks on paper stage – I take their little hand and draw a circle over and over and then they do it, over and over, and their experience of having control from within begins with that connection point. This occurs differently than having them draw something outside of themselves where they can notice it is not really ‘like that.’ Teaching internal referencing can be profoundly powerful for the development of the individual child and human of any age. Teaching them how to lead with the right brain instead of the left as the origin of a particular action could go a long way towards keeping tiny soul fires lit throughout a lifetime.To step out of the over-culture that dominates our lives internally and externally what is needed first, just like healing, is to consciously choose to explore our story about how we have been living and operating inside of our lives. Then, we begin the change through intentional creating that brings us across the abyss to what and who we could become.
Is this just spiritual stuff or is it more than that?
We all know that the right brain and left brain function at different levels and capacities. Most of us are left brain dominant with some right brain sprinkled in.
To change that, and include more of the flow, image, color, light and insight of the right brain, we have to choose it consciously. The left brain thinks nothing of using the right brain in service to the desire of the left to make shape into form that makes sense and fits the boxes it needs to in order to sustain structure.
The right brain, however, doesn’t always know it needs to connect to the left brain to make its thoughts and dreams manifest – hence why it is so hard to change our patterns even though we so desire it and also how hard it is to create a life that reflects who we are. The right brain needs to learn how to include the gifts of the left, but to employ that we have to consciously choose how to use the right brain – to ask it to employ the left brain gifts in service to its dreams instead of just the dominant other way around.
It is helpful to think of the voice inside of us when thinking about right and left and to imagine that the critic lives in the left hemisphere and the muse dwells in the right. When the Muse is given the power to employ the left, the choices and results are different and often more balanced with the soul desire and sustainability of that human.
There is a lot of neuroscientific backing to these thoughts, connected with how the brain works and functions so that we can study it and talk about it. Most of all, that we have the capacity to learn how it functions just enough to participate in how we see and think and therefore act upon our lives. Through giving image and language of our own story we begin to understand what role we might have in the work of authoring our own future instead of just being at the effect of a life happening “to us.”
Working with art to transform our stories involves a process not dissimilar to transference. It is helpful in this case to think about a talisman – the creator of the talisman is literally ‘transferring’ their energy INTO the physical object. When something is transferred, there is an open space in the psyche.
When we create with intention we are making: Talismans
Talisman comes from the root word in Greek teleo which means “To Consecrate.” The meaning of it has to do with the person who makes it, charging it with powers, blessings and/or healings through choice.
They are charging it up, in essence, with prayers, hopes and dreams. Legend has it that the more specific one is with what they put into the creation of the ‘thing’ – the form – the more direct the response is from the Divine. So often it is used in manifestation, calling in or awakening that which we choose to bring to our attention.
The process can create an opening in us. Then we have access to information that we did not have before. Just as significant as that is the concept of transference. That we could MOVE a mind-body-spirit based story ONTO a physical surface (canvas) with the intention of changing how that story image lives in us. Finally, there is some psychic space around the gripping patterned synapses that have been living within us for so long.
The making of Talisman/Taliswoman is different than making an idol of something as we are not worshiping what we made or confusing the thing with the divine. The act of making it itself is what makes the opening happen in the universe for the information, the in-form-ation, to come through and is what brings our awareness into alignment and harmony with what it is we are choosing to focus on. It is not uncommon in the act of creation, whether that be a song or a dance or a painting or a sculpture or a soup or a garden or a necklace, for us to receive information, be in-formed by the process because we are focusing and paying attention with our deep listening. In anticipation we seek to be informed.
Over only the past 3 years close to 80 women are graduates of this Color of Woman training
. I never dreamed that this could be possible – that I would be sharing this most exquisite of gifts with women worldwide and teaching them how to bring healing to other women through the transformation of personal image. The feminine rises as each woman inhabits her own fullness – and all of us benefit.
Bringing our intention to the canvas
This kind of working is called Intentional Creativity and asks that you bring your story to the canvas and into the paint strokes. Layer by layer, a call and response begins with the canvas and what lies just beyond the physical realm into the mystical. We always begin a painting with an overarching intention. Then each step is a revelation in both consciousness and in design that creates the breakthrough (they just begin to happen there in the subconscious without effort.)
The effort becomes the act of creating and is driven from another place within us that we all have – the desire to express ourselves, to be seen and heard and loved, to belong to ourselves and to each other.
When we create we are often creating from this place whether we know it or not. The choice to create with intention sets our brain into the track to access and employ memory and longing but we don’t then have to dominate the breakthrough – it happens organically by being carried by the original intention coupled with the creative actions that are based ultimately in movement, since we are moving when we add paint to a canvas.
Connecting your intention is like finding a clear signal on a radio that is tuned to a specific frequency that opens channels to the subconscious and unconscious that we are ready to deal with.
The layers of consciousness then yield up into the creative process that which needs to be worked with next. Layer by layer new space is created. Once the story is transferred to canvas it lives inside of us differently – the way it used to operate is now dis-lodged and we can consciously choose what to do to work with the space we have now cleared up inside of our internal story pattern.
What is fascinating is that creating art is always good for us – but whether or not it is truly healing (because our brain and body choose to engage in that healing process), is through one specific thing… Our choice to engage ourselves in a conscious act of creating, instead of just creating. Many artists don’t experience their art as healing, although many would call it cathartic or life saving. Still, the capacity to use it as a tool to know oneself is dependent on one’s intention to do so – that is why we call it intentional creativity.
My own origin of intentional creativity began with a day in the studio of the Master Artist, Sue Hoya Sellars. I was wedging clay and complaining about how hard it was, how many bubbles and stones there were and how my hands were hurting. She is a chop-wood-and-carry-water teacher so we had spent a long time digging that clay and mixing it to make our own. I simply wanted to throw a pot, not make clay out of the mountain.
As I complained, without looking up from stirring her tea she replied, “You have to put your intention into what you are doing.”
She then asked me, “What is it that you truly care about?”
I said, “I care about ending violence against women and children.”
She said, “Put THAT desire into the clay as you wedge.”
My whole life changed in that moment. I was set upon my path at the age of 23 catalyzed from that moment after a lifetime of my mother teaching me how to choose how I view the world and what my experience of it would be. And so I was trained, ready to have that thought about putting my intention into my work transforming not only how I worked, but how it felt to work.
That not only changed the outcome of what was created, it changed the purpose that thing held and what its vibration was.
The image above is from my very first art show in 1995, a combination of illustration, acrylic transfer and photographs of trees, clouds and roses that I took – this very image was one of the first three images that TRANSFORMED my entire view of myself, and do I dare say, THE UNIVERSE? And, Her.
And so this is how this movement moves, one woman at a time. Through putting the tools of creation into her very hands.
In a world ravaged by war, and an all out attack on women and children each of us must choose how we will respond to ‘what is’ and how we will navigate the terrain of being called life. Making art and offering it as healing to others is the way I choose to respond. I respond in beauty. I choose to hold my piece of the red thread and to be a blessing to those I am called to serve. This is my story and the one I am creating.
What story are you creating or calling in? What is ready to brought forth from within you?
Signed in A Red Thread of Hope. They say that those who are supposed to meet are connected by an invisible red thread since before birth….and so we meet…and meet again.